Events

2026-2027 Visiting Writer Reading Series
Wesleyan University
Middletown, Connecticut
October 14, 2026
9th Annual Bernstein Book Arts Lecture
University of Wisconsin–Madison
Madison, Wisconsin
Thursday, October 8, 2026
Small Fabric: The Poetics of Reading Fragments
Creative Research Workshop at Helen Louise Allen Textile Collection, University of Wisconsin
Madison, Wisconsin
October 7, 2026
Unworlding vernissage
Friche La Belle de Mai
Marseille, France
August 28, 2026
Radcliffe Fellowship Talk by Jen Bervin
Radcliffe Institute for Advanced Study, Harvard University
Cambridge, Massachusetts
February 18, 2026
Artist Party: Ruth Asawa (Poetry reading)
Museum of Modern Art
New York, NY
November 22, 2025
Tissage, langage, écriture : penser et pratiquer la recherche-création
Université d’Angers
Angers, France
June 11–13, 2025
Surfacing Craft in the Archive
Edison and Newman Room, Houghton Library, 5:30pm
Cambridge, Massachusetts
May 1, 2025

Residencies

Écrivaine en résidence à la Fondation Jan Michalski
Montricher, Switzerland
November 30 – December 17, 2026

Exhibitions

The Aldrich Decennial: I Am What Is Around Me
The Aldrich Contemporary Art Museum
Curated by Amy Smith-Stewart and Caitlin Monachino
Ridgefield, Connecticut
June 7, 2026 – January 10, 2027
Reading Material: The Book Art of Jen Bervin
The Kohler Art Library, University of Wisconsin – Madison
Curated by Anna Simon and Maggie McLaughlin
Madison, Wisconsin
September 2 – December 20, 2026
Unworlding
Friche La Belle de Mai
Curated by The Racial Imaginary Institute
Marseille, France
August 29 – November 15, 2026

Recent Publications

Georgia O'Keeffe: In New Light
Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, and produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist.
Radius Books, 2026
The Aldrich Decennial: I am what is around me
Exhibition catalog by Amy Smith-Stewart, Caitlin Monachino, and Cybele Maylone
The Aldrich Contemporary Art Museum, 2026
Weaving at Black Mountain College
Exhibition catalogue by Michael Beggs and Julie J. Thomson
Yale University Press, 2023
Concordance Omission
Artist Book by Jen Bervin
Granary Books, 2023
Jen Bervin: Shift Rotate Reflect
Exhibition catalogue edited by Kendra Paitz
University Galleries of Illinois State University, 2022
Artists and their Books, Books and their Artists
Exhibition Catalogue by Marcia Reed and Glenn Phillips
Getty Research Institute, 2018

news

Harvard Radcliffe Institute Fellowship

Harvard Radcliffe Institute proudly announces its 26th class of fellows, who will pursue an array of projects that advance bold new thinking across disciplines. Coveted yearlong Radcliffe fellowships provide a rare opportunity to pursue ambitious projects in the unique environment of an interdisciplinary institute for advanced study within Harvard University. Each fellowship cohort draws leading scholars in the humanities, sciences, social sciences, and arts—along with writers, journalists, playwrights, and other distinguished professionals. Radcliffe received 1,677 applications for roughly 50 fellowship slots. Watch Jen Bervin's Radcliffe talk here.

Selected Press

Jen Bervin’s work has been covered in national and international publications and media outlets such as NPR, The Nation, Artforum, Art in America, Frieze, The New York Times, Times Literary Supplement, Hyperallergic, and The New Yorker.

Poetry in the Expanded Field
John Yau, Hyperallergic
"An unclassifiable artist and a deep reader, Jen Bervin has expanded the notion of what it is to be a poet in the 21st century."
Ecopoetic Antinomies: Inscription and Voice in Jen Bervin's Silk Poems
Jayme Collins, ISLE: Interdisciplinary Studies in Literature and Environment
"Both expansive in its knowledge of literary and silk history and intimately enmeshed within the demands of its body... the silkworm–speaker enacts and transcribes the material history and conditions of its existence"
Silk Poetics (on Jen Bervin’s Silk Poems and Aditi Machado’s Emporium and The End)
Toby Altman, The Georgia Review
"Silk Poems presents a banquet of innovative forms. But these forms are not an extension of the poem’s content. They are adaptations, imitations, translations of silk itself—its genetic structure, the loops of its strands, its beta-weave. What if form is not an extension of content, but rather an extension of the material world—of the acts of cultivation and labor that produce what we wear, write upon, and use to swaddle our dead?"
Jen Bervin: Catharine Clark Gallery
Dan Beachy-Quick, ARTFORUM
"How does one create and not create at once? How does one do and undo in the same gesture? It seems to me Bervin is trying to envision such an art. And to Emily Dickinson’s question “Unto the Whole—how add?” the artist has a quietly astonishing answer. Don’t. Magnify what is already there so that we may learn to see more decently."
Critics' Pick: Jen Bervin at Des Moines Art Center
Jessica Baran, ARTFORUM
"A maker attuned to wonder, Bervin produces fastidious and often collaboratively made artifacts that resist scholarly conclusiveness for the purpose of illuminating the process of understanding."
Jen Bervin: Silk Poems
David Naimon, Between the Covers Podcast
“Jen Bervin’s work—all of it—engages the eye, the hand, the ear, and the mind. Her artistry is vast and inclusive, by finesse and intelligence, by curiosity, forbearance, and vision. She knows the unexpected wonder of pattern is everywhere and that the smallest detail contains enough energy to spawn a universe. I think they should send her into space, if it were not for the fact her work has already sent us there. Her poems in themselves, those exhilarated fragments, are the purest form of the art itself—they contain the innate inner gradients of whatever takes our breath away.” -Mary Ruefle